11/4/2023 0 Comments Normalize audio in adobe premiereThis adjusts the gain for all selected clips to the amount you specify. Select the clip, or clips, for which you want to adjust the audio gain and type G. This opens the Audio Gain dialog. There’s a faster – though much less obvious – way to set gain: use the Gain Dialog. In other words, this works but it takes time to verify that levels are OK. This system works fine – except that we need to play the entire audio clip to be sure that levels are safe – there’s no easy way to jump to a timeline location where the audio mix is too loud. As long as the bouncing meters stay below 0 dB we are safe. However, if the red clip light above each audio channel lights, that means that the audio is too loud and will create distortion during export. And keyframes are outside what I want to cover in this article. As long as you don’t add keyframes, the result is the same as if you were dragging the audio rubber band. NOTE: You can also adjust levels using Effect Controls. This works fine – EXCEPT, remember that rule above that states that audio levels can’t go above 0 dB? Well, how do you know that you haven’t increased the audio gain so much that it creates distortion? (To make it easier to see the rubber band, I added the cursor arrow in the screen shot above.) But it does a lot and its worth learning about.Īs most of us know, the easiest way to set gain is to drag the audio “rubber band” inside an audio clip up or down. Yeah, I know, that second definition is a doozy. This is a setting that raises the gain of an entire audio clip, or selected group of audio clips, by the same amount such that the loudest peak in the clip, or selected group of clips, does not exceed the maximum level you specify. NOTE: We use gain, volume, level and loudness almost interchangeably though there is a subtle difference in meaning between them. This is a setting that determines the audio playback level of a clip or track. In this article, I’m going to use two terms a lot: Damage to your audio does not occur until export. NOTE: Many times, during editing, audio levels may exceed 0 dB because you aren’t always paying close attention to audio. Doing so causes distortion and bad audio, which can’t be easily fixed – if at all. The first and most important rule about audio levels is:Īudio levels must not exceed 0 dB during export for any reason. And, along the way, I’ll explain a technique you can use to avoid distortion and still have great sounding audio. There is a non-obvious dialog that I want to show you in Adobe Premiere that makes setting audio levels fast and easy.
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